THE MUSEUM DE? LA MUSEUM DE? LA SPECCOLA? OR BETTER, THE COMPLEX DE? LA SPCOLA? FORMAT OF THE MERGER AND MERGERS OF DIFFERENT TYPES OF BUILDINGS (HOUSING, INTERNAL COURTS, CAS-ORRI, NOBLE PALACES, FUNDS AND WAREHOUSES) THAT HAVE VERY DIVERSE STRUCTURAL, FUNCTIONAL AND SPATIAL CONNOTATIONS THAT HAVE NEVER TAKEN ACCOUNT OF? SPCOLA? AS A WHOLE, THUS LIMITING ITS ROLE AND DEVELOPMENT. IN THIS REGARD, IT IS SUFFICIENT TO RECALL THAT GASPARE MARIA PAOLETTI, THE MAIN ARCHITECT OF THE COURT, HAD ITSELF BEEN THE MAIN ARCHITECT OF THE COURT AND THAT FOR A CERTAIN PERIOD OF TIME IT HAD TO CARRY OUT THE RENOVATION WORKS, AS A RESULT OF THE RESTRUCTURING OF THE COURT OF JUSTICE? FACTORY DE? LA SPCOLA? POOR AND UNSUITABLE FOR THE FUNCTIONS THEY HAD TO PERFORM. TO TUTOUT? TODAY, BY USING THE NARROW ROMAN HIGHWAY IN BOTH DIRECTIONS TO THE MUSEUM DE? LA SPCOLA? TO MOPEDS PARKED WITH THE COMB, WASTE BINS, WASTE SIDES OF HIGH BUILDINGS THAT ARE IN LINE ALONG THE NARROW STREET AND BUS THAT ARE FALLING SHORT OF THE PAVEMENTS, FEW GO TO SHORT NOTICE.